This year, one of my goals is to regain a lot of lost time spent on social media while growing my online presence. When I refer to lost time, I don’t mean the lost hours of endless scrolling looking at friends posts, what I’m referring to is the tedious task of maintaining a business presence online.Read More
When getting serious about becoming an artist in this digital age one of the many things that you’ll probably here is that “you should have a newsletter.” In a nutshell, a newsletter is a way to connect directly with your audience in their inbox. Since the beginning, I’ve kept a relatively simple bi-monthly newsletter for this very reason, and I'm happy to add that it works.Read More
It was recently brought to my attention that there were some little things I missed in previous convention articles. As someone who does a lot of conventions, certain things become obvious and therefore get taken for granted. At Gen Con this year I got to spend some time with several folks who were setting up at their first convention. This helped me see the convention atmosphere with fresh eyes.Read More
I have the great pleasure of joining the instructor lineup of the upcoming One Fantastic Weekend workshop! It takes place November 5-8, 2015.
If you haven’t heard of it yet, here’s the gist: One Fantastic Weekend is a four day on-site workshop for art entrepreneurs brought to you by the guys behind One Fantastic Week, a live, weekly webcast hosted by Pete Mohrbacher and Sam Flegal, who interview movers and shakers in the illustration industry. In addition to myself, Sam, and Pete, the other instructors are Annie Stegg Gerard, Justin Gerard, and Sean Andrew Murray. Each of us are bringing years of experience in managing our businesses as artists and illustrators, and we’re on hand to share all of our secrets with you on how to actually make money from your art.Read More
Many artists share the same dream. We want to create imaginative images and share them with other people. Whether that’s by recreating our favorite characters from pop-culture or by creating new worlds from whole cloth, our ambitions are very similar. The one common barrier that we all share is sadly practical. We need money to pay our bills and take care of our families. The way we overcome that barrier is often what defines our career. Some of us find work in studios, while others work from home as freelancers. I have found much more happiness and success as an independent artist. Being an independent artist is not a label that defines the sorts of art you make, but how you choose to make a living off of it. It means making the majority of your income directly from your fan base without working through an intermediary like a publisher or studio.Read More