I was recently a guest on One Fantastic Week and briefly spoke about Floating. We later decided that it deserved its own article for those of you who want to try it for yourself. Although increased creativity is touted as a benefit of Floating, I see few artists writing about how or why that is. After giving my lecture about Floating for Light Grey Art Lab’s Iceland Residency, I discovered there’s a lot of interest among artists in this community and I wanted to help other creatives get the most out of their experiments in the tank, and to continue my own explorations.
I often hear from artists that they want to make personal work, but people don’t buy it. Fan art has an advantage built in that original work does not, an emotional connection. When a customer sees their favorite character it makes it very easy for them to feel connected to the art and that connection gives them a reason to purchase. The good news is there are many other ways we can make an emotional connection in our art.
An oracle deck is often confused with the tarot but the difference lies in its structure. An oracle deck is free-flowing and can be of any content, unlike the tarot which is defined by its traditional structure and common meanings. The oracle deck can be anywhere from 12 to 100 cards but a tarot deck is usually 78 cards. It's also common to use an oracle deck side by side with the tarot for an intuitive reading. An example would be to pull an oracle card to set the 'theme', energy or feeling of a situation, and then a tarot spread for more detailed interpretations or advice.
For the past 5 years I have been exhibiting as an artist at shows big and small, and I have found that one of the most common questions I get asked from fellow artists is “How do I know when I’m ready for an exhibitor booth?”
While each artist’s situation and every show is different, there are some things I consider when deciding what to book. Here are some of my thoughts and what I take into consideration when thinking of upgrading on a show-to-show basis.